Tag Archives: satire

Prophecies in the Bathroom

Speak and we listen, oh wise oracle

My roommate’s loofah is an oracle.

As it sits unassumingly on the bathtub’s rim in all its rough, spongy banality, it communicates with the gods and is our mediator, though I do not presume to call it our friend.

Its strange shape– the mysterious internal chambers, the bizarre woven texture, the evenly regulated rippling of its exterior—is designed to absorb the gods’ will and disperse it throughout the bathroom as if in a fine prophetical mist. How many times have I been in the bathroom when I am visited by intense revelations: insights into my future after I return from Egypt, novel birthday gift ideas, meals I should eat later on in the day, the appropriate length to which I should cut my bangs?

Before I knew the truth, I thought these moments of brilliance were the result of my own cognitions. Now I know they came from the sponge.

The oracle is ancient. Before this apartment building, before the city of Cairo had even been conceived of in thought or deed, the oracle quietly existed. In the time of the ancient Greeks, sandaled men and women would journey on foot for days with baskets and pots on their heads just to seek the oracle’s presence, and if they were lucky, its prophecies. It was revered by all, though they feared to worship it because of the gods’ anger.

The oracle itself did not want their worship; it wanted quiet. It longed to cease answering the absurd petitions of man and meld its consciousness completely with that of the gods. Daily and nightly it was pulled out of its reverie to a brash existence, greedy humans grubbing after what was not theirs to know. Who could ever truly understand the will of the gods?

The Greeks came and went, as did countless other civilizations, the piles of rubble growing and shrinking with the ages, until Cairo came, and the sponge was once again lifted up, into our bathroom, onto the bathtub’s rim where it now sits enigmatically, an endless stream of communication flowing between it and heaven.

I now realize I misspoke. The loofah could not belong to my roommate any more than the Rocky Mountains could belong to the United States. These kinds of things are not simply owned. Indeed, because the loofah oracle did not belong to me, I assumed it was my roommate’s and she likely assumes the same.

This is the wisdom of the oracle. It quietly leads us down paths of assumption, all the while safeguarding its own peace. It does not even pay the price of having to scrub elbows and backs and instead gently perfumes the air with knowledge, leading us to greater insights.

And today is the last day it gets a free ride. As far as I’m concerned, things are about to get exfoliated up in here. Just wait until the weather gets warm enough for everyday sandal wearing—I don’t care much for prophecies but I do need something to sand down the horns that grow on my feet. Thanks oracle!

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Belle vs. Beatrix Kiddo

This post is in relation to a movie character tournament I’ve entered over at EduClaytion. If you read nothing else, please go there and vote for Belle sometime—either today or Saturday.

Warning: contains violent material but no sex. MPAA rating: G.

The Opponents:

Simple but peculiar country girl.

Belle: A girl from the French countryside, Belle is quiet but intelligent, a bookworm who adores cute animals and singing. She especially loves the waltz, brightly colored floor length dresses, and fairy tales. Her biggest wish in life is to find true love and remain close to her father.

Hardened killer.

Beatrix:  Formerly the most skilled member of the Deadly Viper Assassination Squad, Beatrix Kiddo has killed more people for money than live in Oklahoma. She once survived a bullet to the head, awaking from a five year coma only to wreak revenge on her would-be killer. Possessor of the Five Point Palm Exploding Heart Technique, she is a merciless machine.

The Fight:

The room is completely dark. One spotlight illuminates Belle as she sits at an ornate desk, reading Pride and Prejudice, hardback edition. She hums softly and is wearing a stunning golden ball gown, barefoot.

Beatrix enters the room and slowly approaches the desk, every nerve in her body on edge. She was facing a Disney class pyscho.

“Oh.” Belle murmurs without looking up. “It’s you. That’s too bad. This book is fascinating, and I was just about to get to my favorite part because, you’ll see, here’s where you DIE!”

Still screeching she slams her book shut, thrusting herself away from the desk. Beatrix freezes, mesmerized by the creature…the word  “beast” echoing in her head. Animal-like, Belle leaps three feet into the air, landing on the study as she savors the fear in Beatrix’s eyes. She hisses and then lunges at Beatrix who at the last moment aims a punch at Belle’s perfectly formed chin.

It hits true. But Belle is a most peculiar mademoiselle. Her mouth gapes wide, jaws extending to inhuman proportions, and her teeth sink into Beatrix’s hand flesh. At the same moment, Belle grips her book and digs one of its corners into the ex-assassin’s left eye. Howling in pain, Beatrix attempts to repel the beast with a kick to her abdomen.

Big mistake.

Belle grasps her foot and wrenches it and her entire leg hard to the left. Tendons, ligaments snap. Beatrix begins to lose consciousness, staggering backward until she tumbles to the ground.

The princess is on her prey in a second and gets ready to deliver the coup de grace. She summons everything within her and cries a single tear that falls on Beatrix’s right cheek.

With a perfumed sizzle, her skin turns into a single rose petal at the tear’s impact point. Rippling outward from the teardrop, her body continues its transformation until all that remains of the ex-assassin is a pile of rose petals and a sheathed sword.

With both hands, Belle scoops up the petals and presses them to her face, inhaling deeply. She tosses them on the ground and goes back to reading. Mr. Darcy and Elizabeth were about to dance.

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Is Peanut Butter Good For You?

This is enough peanut butter for roughly three days.

Yes. It’s what we in the medical community call a “healthy food,” and it should form a significant portion, if not the majority, of your diet. Most white, male doctors recommend eating 4-8 tablespoons of peanut butter a day (32- 64g) in order to maximize its health benefits. These include decreased excess energy, facial sprouting, peanut mouth, and a heightened sense of disclarity.

If you’re trying to lose weight, female doctors say you should replace two meals a day with half a cup (64g) of peanut butter and wash it down with one cup (128g) whole milk. In order to see the best results while using peanut butter, you should also avoid eating vegetables or other bulky foods like whole wheat and oatmeal, since they will only hinder your body from taking in more peanut butter.

In addition to being a nutritious oral food product, peanut butter is also scientifically proven to have effects as a hair treatment, carpet cleaner, and virus removal software for your personal computer.

Just as peanut butter performs the sacred cohesive act in a sandwich made with crustless white bread, it is also a driving force of social cohesion. Countries whose populations consume a high amount of peanut butter, like the United States of America and Mali, are generally referred to as “paradises on earth,” which is sociologist speak for “a great place to live.”  Countries with low rates of gross peanut butter consumption, like Belgium and Egypt, are more prone to social unrest and mayonnaise based diets. Even though mayonnaise is a nutrient the body needs, basing an entire nutrition system on it will undoubtedly hinder the television production capacities of said countries.

If you have any more questions about whether peanut butter is good for you or not, please re-read the paragraphs above and don’t call me at home.

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Mamma Mia, Pop Song or Demonic Torture Device?

I went to a friend’s choral concert last Saturday expecting a lovely evening of culture. Though the performance was indeed lovely, I unfortunately left possessed with a madness more deadly than unrequited poet love.

Had I the foresight of my Swedish ancestors, I would have sensed danger when the director announced the evening’s program, which included “Mamma Mia” by ABBA, one of the most commercially successful acts in the history of pop music.

They excelled at producing plague-like music that would sweep entire countries and yet I thought nothing of it, sitting politely and listening as the choir sang “Mamma Mia.” I hadn’t heard the song in a long time and was struck by the tune which was both plaintive and upbeat. Yes, it was quite the catchy song.

Later that night, lying in bed while sounds from the street leaked into my room, the tune echoed endlessly in my mind, “Mamma mia , how could I forget you. Mamma mia, just how much I missed you….mamma mia, here I go again.” Dear God what was happening to me.

I woke the next day with “Mamma Mia” on my lips and proceeded to waste thirty minutes watching the music  video on repeat. A product of the fashion-confused seventies, the video showcased precarious hip swaying with the daring addition of finger snapping and outfits inspired by a futuristic version of Xena the Princess Warrior in a winter landscape. It was the kind of material only an anthropologist could find impressive.

Oh but the song was maddening, addicting.  With each encore, it fermented my brain, crawled beneath my skin, and replaced the blood in my veins.

I tried to mock their outfits and teeth but I was a slave to the song, which like a fungus had taken root in the damp recesses of my mind where an entire ABBA colony was growing. My thoughts were replaced with “Mamma Mia,” the notes ricocheting in my skull without mercy, and I realized my sanity had been hopelessly lost.

Now, infected with “Mamma Mia” psychosis, sometimes the world fades to white and I see Agnetha, Benny, Björn, and Anni-Frid dancing and smiling invitingly in a world where lovers can cheat as long as they wear strap-based clothing. The members of the second most commercially successful act in the history of pop music were now my personal demons.

They haunt my every moment, parading in my dreams with ever stranger costumes—so many clasps! So much arm sleeve! And all day long– while making coffee, sitting in class, forgetting my passport, washing my spoon– I hum the dreaded song, “Mamma mia.” I know the lyrics now. I know them almost perfectly.

Once I’ve lost everything to this song and my mind is wasted, will that be enough? Will you then leave me, Agnetha, when I know it all? Will you depart from here, Benny?

Leave me be, ABBA demons! Away from here! Let me live the life I was supposed to live, the life others hoped for me. Let me return once again to dreams of rainy day naps and snow covered cabins. Take your poison music to someone with with no future, like a law student,  and let a simple Arabic student continue her doodles in class.

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How is a lampshade like a fire hazard?

a work of brilliance.

Every skype conversation with my parents begins the same way: “Hello? Can you hear me? I can hear –wait hello? Now I can’t see you. (Typing: turn your camera on) Okay that’s better. Wait can you hear me?” etc. Last night we repeated this sacred ritual and like usual surprised ourselves with a successful conversation. After talking about weather and church for an appropriate amount of time, given our backgrounds as Middle Americans, my parents commented that my video’s quality was quite poor. Based on the image, I was a freak that lived in a highly pixilated cave, one side of my face shadowy with never ending night and the other a dull orange.

There are a number of reasons for this, I explained. First of all, I do live in a highly pixilated cave. Second of all, my room is naturally dim because I only have two lamps. While thinking about the lamps, I was struck with the desire to show them something I was proud of, namely a lampshade I had made myself. I created this masterpiece by hanging a scarf between a curtain rod and a picture frame, hiding the lamp’s naked bulb behind a transparent scarf wall. However, instead of being impressed at my ingenuity, my mother said with an overtone of reprimand, “Now Emily, isn’t that a fire hazard?”

Where are the congratulations, the “well done, genius and thrifty daughter, for you have saved yourself the purchasing of a lamp shade and used a seldom worn scarf to diffuse light from a bare bulb?”

Also, of course it’s a fire hazard! Sometimes I look over and the scarf is draped on the naked bulb in a forbidden embrace. If I had left the room with the bulb and scarf in such a position, who knows what I would have found when I got back. The sock I’ve been looking for? A hole singed in my scarf? A fiery chamber of death? It could be anything! So yes. Technically, this precarious set up is slightly dangerous.

However, let’s not forget the fact I live in Egypt. The makeshift lampshade, or pre-fire if you will, is only one of many dangers I face daily. I also have to cross the street, no small task in a city with 5×10-7 crosswalks per person and billions of cars. Furthermore, according to World Bank statistics from 2004, Cairo is among the most polluted cities in the world. These pollutants daily become a part of my body, which itself is becoming more flammable. They’re also pollutants I’ll be bringing back with me to the states, where I intend to get as much medical work done as possible while still on my parents’ insurance.

The concern is certainly welcome, but I would prefer it to be done in a more thoughtful manner. I simply ask that if they’re going to worry, they worry about everything and in equal proportions. Road safety should probably come first, even before the worry I’ll convert, marry an Egyptian man, and never come home (in that order.)

For further questions on what should and should not be worried about and/or quotes from Late Night with Conan O’Brien circa 2006, please contact me. Thanks.

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